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[D+★] 10 Days of the 26th JEONJU IFF
2025-05-15 15:00:00


✔️ A Look Back at the 10 Days of the 26th JEONJU IFF in Snaps 📹

✔️ Award Winners of the 26th JEONJU IFF 🎉

✔️ Last Days in Jeonju by SUSU 🌼

✔️ Special Focus: Share Your JEONJU 2! 😎


Mai édition, c'est parti!

✔️A Look Back at the 10 Days in Snaps 📹

Time flies so fast!
I can’t believe the 10 days are already over. I still remember when I first started working on this—it felt like there were more than 100 days left. But just like that, it’s already passed.
Did you enjoy the 10-day journey? I hope it meant something special to you!

In Korea, there’s a saying: “Seeing it once is better than hearing it a hundred times.
So, let’s rewind the last 10 days together!
Opening Ceremony, Actors of Kontinental '25, 100 Films 100 Posters, and Master Class with Pedro COSTA
Street Screening, Master Class with Montse TRIOLA, JEONJU Project, and JEONJU Forum
Awards Ceremony, Closing Ceremony, Guest Experience and Joseonpop Performance

✔️ Award Winners of the 26th JEONJU IFF 🎉

International Competition



Grand Prize


Mad Bills to Pay (or Destiny, dile que no soy malo) (Joel Alfonso VARGAS)



Best Picture Prize (Sponsored by NH Nonghyup)


Always (CHEN Deming)



Special Jury Prize


Resistance Reels (Alejandro ALVARADO JÓDAR, Concha BARQUERO ARTÉS)



Korean Competition



Grand Prize (Sponsored by FUJIFILM ELECTRONIC IMAGING KOREA)


Winter Light (CHO Hyun-suh)



NONGSHIM SHINRAMYUN Award


Summer's Camera (Divine SUNG)



Distribution Support Prize (Sponsored by JIWON)


3670 (PARK Joonho)



Best Actor Prize


SON So-ra All Is Well, I Love You. as So-ra


KIM Hyeonmok 3670 as Yeong-jun



CGV Award


3670 (PARK Joonho)



Watcha’s Award


3670 (PARK Joonho)



Special Mention for the Director


Where is My Father? (KIM Taeyun)

Korean Competition for Shorts



Grand Prize (Sponsored by FUJIFILM ELECTRONIC IMAGING KOREA)


mistletoe (HWANG Hyeonjee)



Best Director Prize (Sponsored by Kyobo Life Insurance)


SLOWLY (KIM Haejin)



Special Jury Prize


A Pear Tree In The Star Village (SHIN Yul)



Special Mention


In Our Day (KIM Soyeon)



Special Award



NETPAC Award


Black Ox (TSUTA Tetsuichiro)



Documentary Award (Sponsored by Jin Motors)


Edhi Alice: REVERSE (KIM Ilrhan)



Cineteca Nacional México Award


Home Behind Bars (CHA Jeong-yoon)



J Vision Award


The Burglars (KIM Taehwi)


✔️ Last Days in Jeonju by SUSU🌼

# Always On My Mind


Did you know? This was my first job. The festival has ended—which means my work has come to an end, too. I hope this festival has become an unforgettable memory for all of you.


I’ve prepared the final edition of Life in Jeonju by SUSU. This time, I titled it “Last Days in Jeonju”, capturing the moments and emotions that happened during the festival.


Anyway, over the past five months, this experience has given me more than I can count.


I hope the JEONJU IFF was not only a chance to think about films, but also about yourself. I truly believe that everyone sees a part of themselves through cinema. Film becomes a lens of your own—and of course, it is for me, too.

# Cuz We Leave Buying Flowers


Have you heard of a short film in the Korean Competition called Those Who Leave Buy Flowers? When I first heard that title, it brought back old memories.


Back in high school, I had a friend who always came to school with a flower in hand. At the time, I was too cold-hearted to fully appreciate her affection. But a few years later, after we had drifted apart, I suddenly realized something: no one else would give me flowers the way she did. Whether or not that’s true, the thought lingered. That memory even led me to write a short poem titled Where Are Your Flowers?


As I’ve grown older, I’ve come to see how vulnerable that realization was. If I can be someone who gives a flower to another person—if the opportunity arises—I want to take it. Because flowers make people happy. They can lift the clouds away from someone’s gloomy day. I wanted to pass on the gratitude I once received from her to others, in my own way.


During the festival, I was responsible for coordinating with several guests. Whenever I greeted one, I brought a flower. Honestly, whether they looked delighted or not didn’t really matter to me (though in truth, everyone was happy to receive one!).


What mattered was how I felt buying the flower—I was genuinely pleased. At the end of the volunteers’ workday, my colleagues and I also prepared flowers for them. They loved it. Seeing their smiles made us happy, too. That’s the power of a flower: even though it will soon wither, it leaves something behind.


People leave, and flowers fade. Everything is temporary. But I believe that’s what makes life precious—just like this festival. All the sweat and struggles were leading toward an inevitable end. All the effort was meant for these ten days of journeying together.


We all know: every ending is connected to a beginning.

# Here Comes Your Sun


While conducting the individual interviews I was in charge of, I had the chance to hear the stories of many different people. The stories shared by the guests at the cafes we had prepared were colorful, multi-dimensional, and deeply personal. Whether through interpreters or directly with the interviewees, their conversations stayed with me for a long time.


Each person spoke with confidence and pride in their career, and listening to them share their stories was a huge source of motivation for me. From filmmakers in the International Competition section to those featured in Cinema Fest, J Special: Programmer of the Year, meeting people who give their all in their respective fields inspired me to live fully and do my best as well.


Through these experiences, I realized that I really love stories, narratives, and plots. Every person has their own world and sees life through their own lens. Even if they were born in the same environment, each individual shines with their own unique light and color. In that sense, a film festival is a perfect place to meet such people. These are people who carry their own philosophies and creative villages within them, and they tear off pieces of themselves to create something new — sharing, networking, and getting to know one another. That’s incredibly appealing to me.


At the same time, I believe that everyone has a desire to “tell” — or even to confess. Even those who appear calm, shy, or superficial carry deep oceans within them. I believe they all want to reveal their worlds, their words, and their truths.


Artists, in particular, tend to have this urge more strongly than others. But in this context, I think everyone can be an artist. And I genuinely want to know your world. What is your world like?


Lastly, I’d like to mention that this is a photo from the interview with The Way We Talk director Adam Wong and his wife.

✔️ Special Focus: Share Your JEONJU 2! 😎

Share Your JEONJU Season 2 — SYJ is back!


The 26th edition has wrapped up! I hope this year’s festival was a meaningful experience for you, too.
Just like in Season 1, I’ve brought together some impressions and experiences from guests and journalists who attended this year's edition.
Take a look — and reflect on your own 26th JEONJU experience. How was it different from theirs?

1. What is your name?

Bella, Amylia, Siew-Hua, Amar, Terez, Marc, and Yuu



2. Why did you decide to participate in this edition?

Bella💭 Our film Winter in Sokcho has been selected for the World Cinema section. As a Korean-French film, it was all the more meaningful and exciting for me to meet Korean audiences for the first time.


Siew-Hua💭 I've heard good things about the festival and the audience and I have never attended the festival in person before.


Yuu💭 I didn't participate in the festival for a long time, so I wanted to know about the festival today.



3. What is the most attractive aspect of the JEONJU IFF, and why?

Bella💭 First of all, the charm of the city really stood out — it uniquely preserves the beauty of traditional Korean culture. After our two screenings, I was deeply impressed by how thoughtful and cinephile the Korean audiences are. I’m truly grateful for their insightful perspectives.


Amar💭 The films, period. It's hard, particularly in Asia, to see this many independent, adventurous, and experimental offerings at a single festival.


Terez💭 For me, the most important feature of the film festival is that you can see a lot of Korean films. I come mainly for these films. And attending the Q & A after the films is also important to get as much information about these films as possible. A very important and great feature of the festival was that all the Q & As had English interpretation. Thank you very much for the work of the interpreters. They were very excellent interpreters and I was extremely satisfied with their work.



4. What was the best film you saw in this year's edition, and why?

Amylia💭 There were so many good movies, it's honestly hard to pick. But I'd say Mad Rush by Lee Hee Jun for short films, and Stranger Eyes for feature films. Mad Rush was so raw and vulnerable and so perfectly encapsulated the feeling of what it's like to struggle with one's mind that I felt the emotions of Byunghoon throughout. Stranger Eyes made me question so much about the state of the world we live in, where we're constantly under surveillance and constantly watching others... Both films (along with quite a number of other films actually) left such a deep impression on me that the emotions continue to linger.


Amar💭 I have three films on my mind but here I'll highlight Always by Deming Chen. It's a sumptuously shot, evocative documentary that subtly captures the end of its young protagonist's childhood. Chen's is the kind of lyrical and poetic film that stands out from the more orthodox story-driven documentaries.


Terez💭 My absolute favourite of the international film programme was Black Ox. This is entirely a matter of taste, I am a fan of these types of slow, arty films. This film is an outstanding piece of international art in my opinion. Of all the Korean films, SEA TIGER stood out for me, because the depiction of trauma was achieved in a very exciting and effective formal experiment. I think films like these best express the artistic character of the JEONJU IFF.



5. What was the best program or event you attended in Jeonju, and why?

Amylia💭 JEONJU Cinetour x Music. I've gone to a few film festivals so the Q & A section has always been quite a standard programme, but enjoying a concert after a movie was a refreshing experience that I really enjoyed! I like that the singers chose the movie shown and shared their reasons and also performed songs that fit the vibes of the movies they chose.


Siew-Hua💭 Bibimbap making class. I did not manage to attend many other events aside from some film screenings.


Amar💭 The best program/event I attended were Meet the Festival and "Possible Cinemas" book talk (while I'm aware that these are two separate events, I'll name them both since they take the same form and were held in the same venue). Q & As and masterclasses are commonplace at almost any festival, but this kind of more focused sessions focusing on not just individual films but filmmaking approach and festival running know-how were rare opportunities of learning. I only wish they were a bit longer; at least 60 minutes and not just 40 minutes.


Terez💭 I really enjoyed all the talks with the filmmakers after the films, for me these were the most important events of the festival. My particular favourite programme was Pedro Costa's Master Class - he talked about his filmmaking in a very interesting way, it was a real intellectual experience, exactly what I as a film critic and a film fan would want at a festival.


Marc💭 Canada night party, was fun time, chance to interact in casual way


Yuu💭 J special: Programmer of the year, I was able to enjoy the wonderful films chosen by the programmer. Also, I could feel her ability as an actor and director.



6. What was the most memorable moment during your journey?

Amylia💭 Possibly walking out of the theatres to live singing at the open stage next to Megabox. I thought that was quite interesting - but was wondering if there wasn't a better location for the open stage…


Siew-Hua💭 Presenting my film after the screening.


Terez💭 Besides the films, the new acquaintances and encounters will be the most memorable. Alongside the film critics I have newly met, I have also met some great and helpful people in the festival team. Thank you very much for their kindness and helpfulness.


Marc💭 Adrian Martin lectures.



7. Would you like to visit the JEONJU IFF or Jeonju again? and Why?


Everyone - Yes!


Bella💭 Such a heartwarming welcome and the food was amazing! (I have to mention, the breakfast at the Kkoksim hotel was amazing, thank you so much) The whole atmosphere was so lively and full of energy. It felt way too short to fully enjoy the festival… but next time, I definitely will.


Amylia💭 There were quite a lot of movies I wanted to watch at the festival that I didn't get the chance to because of the lack of time, which is proof that the programming is great! I especially appreciate the inclusion of the Palestine film From Ground Zero because it is so important for movies and film festivals to be a platform for social issues. So I hope the festival keeps it up, and thank you so much.


Amar💭 The films were so good and plenty that I want to visit the festival again. And because the films were so good and plenty, I ended up not seeing much of the beautiful city itself, so I want to visit Jeonju again as well.


Terez💭 The JEONJU International Film Festival is the best place to see as many independent Korean films as possible in the shortest possible time. Festival of my dreams :)



8. Do you have any additional comments?

Bella💭 Thank you so much once again. I was truly honored to be part of the 26th JEONJU International Film Festival. Hope to see you again soon!


Siew-Hua💭 I was well taken care of by the festival staff and volunteers.


Amar💭 At the risk of repeating myself too many times: I believe the festival can do better in connecting the filmmakers, press members, industry guests, and the festival staff. Looking forward to the 27th edition!


Terez💭 I enjoyed the film festival immensely. Thanks to all the organisers, staff and helpers. I wish you every success in the future!



How was the May edition?
Thank you for reading and for your continued support of the JEONJU IFF—and, of course, the J Letter. Although this year’s festival has come to a close, many more editions are still on the way!


Wishing you a wonderful day.
Bye for now, and see you again soon🖐️


2025.05.15


Written by: Publicity Team | Edited and Published by: Publicity Team

"Beyond the Frame"

The 26th JEONJU International Film Festival